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Marsha Mason replaces Mia Farrow in the Broadway show “The Roommate.”

Marsha Mason replaces Mia Farrow in the Broadway show “The Roommate.”

In a surprising turn of events in the New York City theater scene, Marsha Mason took the stage in place of Mia Farrow during Sunday’s performance of the Broadway show “The Roommate.” Farrow, who was originally set to star opposite Patti LuPone, had to withdraw after testing positive for COVID-19 shortly after the show’s premiere.

The production faced a sudden setback when both performances scheduled for Saturday were canceled due to Farrow’s health. However, the resilient team quickly recovered, with Mason, who not only stars but also serves as associate director of the play, taking over the role temporarily.

Sunday’s matinee audience was informed of the cast change by lead producer Chris Harper, and Mason received a standing ovation when she joined LuPone onstage, script in hand. Despite a few minor stumbles over her lines, Mason’s intimate familiarity with the play allowed her to deliver a commendable performance under unexpected circumstances.

At 82, Mason, a veteran actress with multiple Broadway credits and four Academy Award nominations, proved to be a strategic choice for producers. Her recognition helped maintain audience interest and attendance, which may have been diminished by Farrow’s absence. Farrow, 79, alluded to her health in a now-deleted post on X, and it’s unclear when she’ll return to the stage.

This isn’t the first time Broadway has seen directors and other non-acting personnel fill in for indisposed actors, a practice that’s become a bit more common since the pandemic began.

“The Roommate,” a play written by Jen Silverman, explores the chaotic dynamic between an Iowa City woman and her new Bronx-born tenant with a questionable past. The play, with a production budget of $5.5 million, is one of the first shows this season to draw crowds with big names and limited engagements.

Mason’s unexpected performance is a testament to the adaptability and resilience of the Broadway community, which continues to engage audiences despite ongoing health challenges.

By Johanna PIerce

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